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FILM SCORING & SONIC STORYTELLING

Music shouldn’t just accompany the image — it should breathe the same rhythm as the characters. I create bespoke sound worlds designed to build tension where words reach their limit.

BINDING EVA (2026)

  • Role: Composer

  • Status: In Post-production

  • Description: A feature-length psychological horror directed by Conscian Morgan. The score focuses on raw, organic textures designed to heighten the tension of the film’s isolated, wilderness setting. By blending natural resonance with unsettling instrumental layers, the music mirrors the vulnerability and psychological strain of being stranded in the remote woods.

  • Note: Scheduled for release in 2026. Audio materials will be available following the festival premiere.

TOSHITO (2025)

  • Role: Co-composer (with Joanna Dojnikowska)

  • Director: Calvin Scibilia

  • Description: A feature film by Calvin Scibilia, inspired by the spirit of „The Old Man and the Sea.” The story follows a father and son on a challenging marlin fishing trip, marking a final moment of connection before the son leaves the family home. The score reflects the vastness of the sea and the intimate, wordless bond between father and son, evolving from the tension of the hunt to the quiet grace of releasing the catch.

MALE GAZING (2024)

  • Role: Composer

  • Director: David Verdeure

  • Description: An experimental short film and performative film criticism directed by David Verdeure. Reimagining Alfred Hitchcock’s Rear Window, the project deconstructs the patriarchal „male gaze” through a dreamlike remix of the original visuals. The music operates as a critical layer, utilizing an arsenal of audiovisual strategies to transform a realistic set into a haunting, commentary-driven soundscape.

GDAŃSK: CITY OF LIGHT & SHADOW (2025)

  • Role: Composer

  • Director: Agnieszka Bekalarczyk

  • Description: A documentary spectacle directed by Agnieszka Bekalarczyk, realized as part of the „Otwarty IKM” competition. The project explores the themes of freedom, authenticity, and loneliness through a live performance integrated with architectural mappings of the Gdańsk city model. The score serves as a guide through these emotional states, bridging the city’s physical history with a personal, psychological journey.

GIRLS IN ART / DZIEWCZYNY W SZTUCE (2024)

  • Role: Composer / Performer (Double Bass)

  • Director: Agnieszka Bekalarczyk

  • Description: A short documentary realized for the 25th anniversary of the Centre for Women’s Rights (CPK) in Gdańsk. The film is a poetic testimony of women professionaly connected with art, exploring how creative expression transforms difficult experiences and trauma into beauty. The score features intimate double bass performances recorded at the Nomus New Art Museum, mirroring the raw and soulful journey toward creative freedom.

UTRATA / LOSS (2019)

  • Role: Composer

  • Director: Natalia Nylec

  • Description: A short fiction film and poignant study of a family struggling with grief and stillness. The music mirrors the protagonist’s internal battle with loneliness and the slow erosion of strength as he tries to face the demands of daily life in the shadow of loss.

LOVE FEEDS ON SILENCE (Campaign)

  • Role: Composer (with Czesław Sadowski)

  • Director: Agnieszka Bekalarczyk

  • Description: A social campaign for the Centre for Women’s Rights (CPK). This emotionally demanding project required a sensitive sonic identity to support a powerful message against domestic violence. The score focuses on the heavy atmosphere of silence and the resilience required to break it.

SUMA CRUZ (Spain)

    • Role: Composer

    • Director: Eugenio Recuenco

    • Description: A high-end fashion film for the Spanish brand Suma Cruz. The soundtrack emphasizes visual elegance and rhythmic precision, blending classical sophistication with modern aesthetic textures to match Recuenco’s distinct, world-renowned cinematic style.

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